Bear Witness reclaims the visual language of classical sacred painting to confront the enduring legacy of sexual and gendered violence. Inspired by Remnants by Elyse Semerdjian, this work reframes the weaponization of women’s bodies in times of war—from the Armenian Genocide to today—through a feminist lens. It offers an unflinching yet dignified portrayal that strips shame from victims and returns dignity to silenced stories. Rooted in diasporic identity and intergenerational trauma, Bear Witness is both a personal archive and a collective act of remembrance, inviting viewers to hold space for pain, resilience, and transformation.

Fertility is a violent and bloody affair, far from the gentle femininity often ascribed to it. This tension is at the core of Anahid, the first piece in my series reimagining Armenian female goddesses from pre-Christian times. 

Spandaramet, goddess of death and memory, emerges from the shadows in a haunting watercolor. Part of Marie Khediguian’s series reviving Armenia’s pre-Christian goddesses through large-scale art.

Spandaramet, Armenian goddess of death, underworld goddess, Armenian mythology, ancestral memory art, death in art, large-scale watercolor, Marie Khediguian, goddess of the afterlife, Armenian cultural revival, goddess series art

Explore the captivating allure of a large-scale watercolour featuring a pre-Christian Armenian goddess. This striking artwork captures the essence of ancient spirituality and cultural heritage, showcasing intricate details and vibrant hues that evoke a sense of mystique. Perfect for art enthusiasts and collectors alike, this piece is a celebration of femininity and mythology, bringing a touch of the divine into your space. Elevate your collection with this unique homage to Armenia’s rich history.